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Barry Finn met Neil Downey the mid seventies while singing and playing at the Irish Music session in the Village Coach House in Brookline, MA. They formed the duo Finn and Haddie and performed primarily a cappella songs related to heavy work and hard labor. They specialize in the performance of traditional sea songs, shanties and work songs originating in the southern prison system. Recently they joined forces with Ken Schatz of NYC and the duo became a trio.
Barry performed individually and with Finn and Haddie throughout the United States. He was a gifted songwriter who brought his unique style, talent and experiences to his music. He performed at the Mystic Seaport Sea Music Festival, New England Folk Festivals (NEFFA), New Hampshire’s Great Bay Festival, the Gloucester (US) Maritime Festival, Boston’s First Night, the San Francisco Maritime Festival, the Salem Maritime Festival, the Boston Antique & Classic Boat Festival, for Sea Revels in Boston, at Sail Boston Tall Ships Parades 88 and 92 and at the Massachusetts State House for the “Welcoming of the Captains” during Boston’s last Tall Ships Parade. He also performed on board the USS Constitution, the USS Eagle, the USS Salem, the Unicorn, the Schooner Adventure, the Brig Carthaginian, the Polish schooner Zawisza Czarny, the Larinda, Canada’s schooner Empire Sandy, the Shenandoah & Nova Scotia’s Bluenose II.
He is survived by his wife Justine Donovan of Derry; his daughter, Natalie Finn and his son, Gabriel Finn, both of Derry; his mother, Elizabeth Bent of W. Dennis, MA; two brothers, Daniel Bent of Walpole, MA and Earl Moore of N.H.; one sister, Cheryl Finn-Poole of Carlisle, MA. He also leaves behind countless friends in and out of the music community.
Here's an obituary written by Barry's sister-in-law Paula.
Here's a great video of Barry singing Old Dollar Mamie. (You'll find other great videos of Barry on YouTube.)
Please visit http://rememberingnealgray.blogspot.com to see details of the funeral and memorial service, and to leave your remembrances. (Log in as neal@fassman.com with the password nealgray if you want to add a post -- please put your name in it somewhere.) There is also a Facebook page dedicated to Neal's memory where people are posting photos and remembrances.
Here are some lovely words from Neal's friends Chris Farrow and Dorothy Weitzman.
Here are three PDFs compiled by Sandra Waddock, which contain text and photos emailed out by Neal to his "Angels" over the years:
We are all doing fine and choosing to see this as a wonderful cause for celebration of his life and love for his music.
Love, Anna Whiteley Huff
PS Here is a photo taken by my dad; not sure when. He was also a great photographer; among many other things.
Email us for an address to send cards to his daughters Anna and Catherine: will AT fssgb DOT org .
There will be a memorial service for Will on Sunday, April 5, 2009, 2:30-6pm, at St. John's United Methodist Church, 80 Mt. Auburn Street, Watertown. There will be a bagpiper playing for the first half hour, and then we'll sing some of Will's favorite songs, and other songs as the spirit moves us.
I first met Ed in 1996 at a singing party at Ellen Schmidt's house, and we discovered a common interest in traditional folk songs. We arranged to meet to work out some song harmonies, and soon thereafter were joined by Alan Field. All of us loved, among other things, the harmonies of Finest Kind; they inspired us in our own singing -- to the extent that we joked once that perhaps we should call ourselves Kindest Find! Later, when Lynn Noel moved to the Boston area, we added her to the group and renamed it Lingua Franca -- music as the common tongue.
Ed brought a childlike enthusiasm to practically everything he did, whether adding extra flourishes to his dance steps, finding wonderful and exotic vegetables at Asian markets, cooking up a storm in advance of a potluck party, working on some funny costume for a Halloween dance, or listening to practice tapes in his car so that we could make the most of our rehearsal times. The harmonies were glorious and seemed to flow effortlessly; it was rare that we had to write down the parts or sit down at a keyboard to walk through each chord step by step.
Ed was also very involved in the Buddhist community, and had moved to Vermont to volunteer and translate at Thosum Gephelling Institute (the name means "a place to learn to increase and expand one's virtue in Tibetan) in Williamsville. The Institute held a memorial service for Ed on October 13th, which was attended by Ed's mother, brother, niece, and nephew, as well as friends from Vermont and beyond. The web site has a lovely tribute page: http://www.thosumgephelling.com/ed_memory.shtml.
The Brattleboro Reformer also had an obituary: http://www.reformer.com/ci_10695721
I found Lynn Noel's blog entry on Ed’s work with her to bring Tibetan to Sacred Harp, and there’s a clip with a recording of Ed singing:
At some point, there will be a memorial gathering in the Boston area; stay tuned for details.
I will forever be grateful to Ed for introducing me to FSSGB and Pinewoods Camp. We shared so many wonderful times with an amazing group of people who feel like extended family to me now. When I last spoke with him, he seemed to have found the path for which he'd been searching, and he was very happy. He will be sorely missed by those whose lives he touched.
Liz Lewis
Ellen and Allan Schmidt hosted a memorial gathering in honor of Lisa. Karuna was here from Oregon that day and attended the gathering. We shared photographs and ephemora from the time, including old Folk Letter columns that she wrote. We played Lisa's recordings that she did with the Angel Band and others. And, of course, we Sang!
Panos was the son of the late Bessie & Charles Constant and brother of Helen Constant of Arlington. The funeral was held at Keefe Funeral Home in Arlington on Thursday, January 11th, followed by services in St. Athanasius The Great Church in Arlington. In lieu of flowers, donations in his memory may be made to the above named church. Burial will be in Mt. Auburn Cemetery.
A collection of materials from David Ingle has been donated to FSSGB by Libby Franck, including several books with titles like "Ozark Folksongs" and "Anglo-American Folksong Scholarship Since 1898." There are scholarly papers that he had collected and some that he wrote, such as "The Self-Image of the Irish as Hard-Drinkers: Reflections of 19th Century Pub Culture in Folk Songs" and "Images of Women in Traditional Song." There are song books and sheet music for songs of humor, fighting, drinking, temperance, outlaws and rakes, and the frontier. There are two shoe boxes of cassette tapes, mostly of drinking songs, but some of concerts and particular performers. And there are Sing Out magazines, old concert flyers, and a great photo of David playing the bodhran.